Have you ever listened to music in a different way than just
plain listening to it? You know that fleeting feeling when you dig yourself in
to the harmonies and melody of the notes and staffs, of the measures and
chords; when you begin to disregard the lyrics of the song and listen to the
soft caress of the acoustic guitar and the gentle touch of the piano; when you
listen to the unified sound of an orchestra, the blending of beautiful choral
voices. Haven’t you asked yourself how all of this beautiful tones come to form
a single beautiful sound so pleasing to the ear that you can just close your
eyes and let the music rapture your very being? I experienced that when I sang
with my former choral group. I performed with an all-male group, myself being a
Tenor. I miss reaching those extremely high notes and my conductor demanding me
not to shift to my falsetto for the sole reason that it will ruin the blending
of the other 3 voices. But how beautiful, how wonderful, how marvelous it is
when we reach the epitome of the musical piece we were rendering.
I found sacred pieces the most beautiful of choral works
whilst ethnic ones, wherein we as a choir had the specialty in, came in as a
close second. My affiliation with choral music led me to delve into the classical
realm of music. In the same time that I was introduced to the likes of Franz, and
Filipino composers such as John Pamintuan, Fidel Calalang Jr., Anna Piquero and
Eudenice Palaruan, I also came to know the beauty of the work born into the
world from the minds of familiar names as Beethoven and Mozart. It was either I
was listening to world-class choirs or I was being brought back to the past
with the time machine of an orchestra, slowly, surely, bringing me to the royal
courts of Vienna and Paris. Such was my amazement and awe with Classical Music,
and how did I adore so much this beautiful form of art, without which our world
would degrade into a much more bland and gloomy existence. I thought that this
is the highest degree I would come to praise and magnify music, but still there
was much more than just relaxing in your chair, closing your eyes and listening
intently and attentively to each movement and transition of the notes. I found
God in between those measures, I found God in between C Major and E minor, I
found God in each stroke of the bow on the violin, and I found God in the
resonance of the soprano timbre making itself one with the excellence of the tenor.
Basically I found God in the most obvious place to find Him, in Music.
I first had this realization when I had the opportunity to
perform Handel’s Hallelujah with the complete set of voices, female members of
another choir present. It was a new experience for me, my ear being all too
familiar with the male voice that it failed to recognize how much the female
voice completes the entire soul of choral music. When we rehearsed together for
the first time, it was as if I was lifted by angels, by the great seraphim
even, to the closest possible presence of God. The unity of each note with its
fellow musical notation was just heavenly. I understood right then and there
how beautiful the music Handel composed is. I imagined that day when Handel
finished his Hallelujah that the angels themselves sang in the heavens praising
God for such an achievement. I tell you, it’s very much different when you
perform the actual piece itself tan just listening to it. It feels that you are
doing a world a great deal of help a more aesthetically pleasing existence in
performing such awesome splendor, such majestic grandeur. How blessed did I
feel that day.
Music has become the means of man to self-expression, much
like the other forms of art are. But music is special in the way it connects to
the deepest fibers of the human heart. When a loving song, a song for a
particular beloved reaches our ears, it immediately strums the strings of the
heart longing for its one and true love. Music also evokes tears, grief and
pain, man’s effort to discard this emotion and at times a way for him to even
wallow in that pain. Music has become part of the human person, of the human
psyche, of the human being. It is much as part of us as the heart is. Imagine a
world without music. Perhaps we might’ve just lost a part of our soul if that
happens. Much like love, music makes the world go round. Music has become an
imprint of cultures and identities. But ultimately, all good music points to
the very beauty it emanates from, the perfect and highest degree of God.
Discovering God in Music becomes a way for us to discover
ourselves also. We find our identity in the kind of music we listen to. I am in
love with classical music and even with a little bit of pop and that is enough
to say a certain degree of yourself, of who you are as a person. My love for
classical music perhaps pertains to my rather reserved and reflective
personality. I prefer calm and peaceful music to rather loud ones. Music points
to our identity also. And in a way points to how we relate and familiarize
ourselves with God, to how we know Him personally.
Music has become integral to the human attainment of peace
and satisfaction. It accompanies man in his aspiration for greater beauty, that
indeed such beauty exists and is very tangible, very much within his reach.
That beauty so old and so new does exist and is very much alive, present in
everything the eyes can see, the ear can hear, the tongue can taste, the skin
can feel, the heart can grasp. That beauty is God. He is the total feeling of
elation felt in the wonderful bliss of the concert hall, the complete sense of
fulfillment among the different voices singing one song, the ultimate joy
present in within the church walls as the faithful sing in resounding praise
the glory of God in the highest heaven. God is everywhere. God is especially
present in Music. Try and find Him, He won’t leave music’s thresholds but in fact
will continue to transcend it until all of us are gathered to sing of the
eternal praise of His name, His majesty, His glory, there together with Him in heaven.

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